PROFILE · KRISHNAKANT MISHRA

The mind behind
the frame.

I bring creative vision and technical planning together to help filmmakers turn ambitious ideas into convincing images.

Visual Effects Supervisor · Creative Head, BOT VFX
Mumbai, India

Krishnakant Mishra
CREATIVE VISION. TECHNICAL CRAFT.

A CAREER IN IMAGES

From animation
to imagined worlds.

30+ years

My journey began in animation and grew into visual effects supervision, studio development and creative leadership. Over three decades, I have worked across Indian and international cinema, television and commercials, moving between the detail of a single shot and the bigger demands of a production.

I was a founding member of FrameFlow, which became Sony Pictures Imageworks India, and established the international visual effects division at Futureworks. That experience shaped my approach to building teams, designing workflows and connecting creative ambition with practical delivery.

At BOT VFX, I lead creative development and help build the pipeline for complete visual effects shots, including CGI. My work brings together pre-production, on-set understanding, compositing, color workflows and close collaboration with artists, producers and clients.

Avatar: Fire and Ash posterFurious 7 posterGuardians of the Galaxy Vol. 2 posterDoctor Strange posterThe Martian posterBlack Panther poster

STUDIO LEADERSHIP & EXPERIENCE

Building teams.
Shaping images.

  1. 2024–present

    BOT VFX

    Creative Head

    Leading creative development and building the visual effects pipeline for complete shots, including CGI.

  2. 2018–2023

    PixStone Images

    Director, Visual Effects

    Headed the visual effects division and developed workflows for complete shot delivery, including CGI.

  3. 2017–2018

    Digital Domain, China

    Visual Effects Supervisor

    Supervised Monkey King and contributed to planning and execution across multiple studios.

  4. 2010–2017

    Futureworks Media Limited

    Visual Effects Director

    Established the international division, with the VFX team growing from 20 to 140 people during this period.

  5. 2004–2010

    Sony Pictures Imageworks India

    VFX Supervisor / Creative Head

    A founding member of FrameFlow, which became Imageworks India. Supervised international feature-film work and gained on-set experience on Zookeeper.

  6. 2003–2004

    Crest Animation

    Compositing Head

    Led compositing and look development for the animated series Pet Alien.

  7. 2000–2002

    TIL Studios

    Visual Effects Supervisor

    Helped establish the VFX division, from scanning and equipment choices to production processes.

  8. 1998–2000

    Edit Point Media

    Visual Effects Head

    Headed the VFX division and worked across a large volume of commercial productions.

  9. 1996–1998

    Chromartic Studios

    Digital Artist

    Worked on visual effects for advertising films and feature productions.

  10. 1995–1996

    Creative Media and Magic

    Senior Animator

    Contributed animation to Luv Kush early in a career spanning animation and visual effects.

PRODUCTION EXPERIENCE

Scale, detail & delivery.

2016

Time Raiders

3D, animation & compositing supervision

Supervised work across more than 800 shots, bringing animation, 3D and compositing together for a large-scale feature production.

2015

Olympus

3D, animation & compositing supervision

Contributed to a television delivery spanning more than 1,500 shots.

2017

Fortitude

Compositing supervision

Supervised more than 100 shots, including matte paintings, for the television series.

THE CRAFT

Creative judgment.
Practical understanding.

Creative supervision

Pre-production planning, visual development, shot supervision and creative review from concept through delivery.

On-set understanding

Cameras, lenses, cinematography and practical capture requirements that support the final visual effects work.

Pipelines & capture

Compositing and color workflows, HDRI capture, photogrammetry, and planning around LIDAR and other production data.

Teams & production

Artist collaboration, client communication, realistic expectations and working with producers to track scope and budgets.

EDUCATION

Bachelor of Commerce · Bombay University, Mumbai · 1994

Certificate in Animation · Xavier’s Institute of Communication · 1995

Let’s make
what’s next.